Joseph N. Rubinstein’s music is largely focused on texted and dramatic genres like opera, art song, and choral music. With an emphasis on drama and lyricism, his work often engages with questions about identity, interpersonal relationships, and the American experience. His style is particularly informed by the folk-influenced concert music of the United States, United Kingdom, and Russia, and by minimalism, the sacred choral music tradition, electronica, and musical theater.
Joseph’s work has been presented by organizations and individuals including Fort Worth Opera Festival, The Manhattan School of Music Opera Theater, bass-baritone Davóne Tines, Novi Cantori, Triad: The Boston Choral Collective, American Opera Projects, The Holy Cross Chamber Singers, The Secret Opera, bass-baritone Matthew Burns at the Spoleto Festival USA, North / South Consonance, the Society for New Music, Boston Metro Opera, and C4. He has received commissions from The Young New Yorkers’ Chorus, The Urbana Public Arts Council and flutist Kathleen Winters, New Vintage Baroque, and the Cheah-Chan Duo. In 2017, Joseph and librettist Jason Kim received an Opera Genesis Fellowship from the Hermitage Artists Colony and American Opera Projects for developmental work on their opera “House of Legendary.” In 2020, the same project received a Repertoire Development Grant from Opera America. Joseph studied at Columbia University (BA) with Joseph Dubiel and Sebastian Currier, and at The Juilliard School with Robert Beaser (MM). He further studied with Tarik O’Regan, and at the Bowdoin International Music Festival and Yale Summer School of Music at Norfolk.
Select upcoming performances include a week-long developmental workshop of “House of Legendary” at the Seagle Music Colony (2021), and a performance of “Summoning” with the Greater Cleveland Flute Society (2021). He is a proud alumnus of the Pacific Chorale’s “Choral Sketches” program (2019), the Composer-Librettist Studio at New Dramatists (2016), and American Opera Projects’ “Composers & The Voice” program (2014). He is also active as a tenor in the New York City area, and works with contemporary composers as both a choral singer and as a concert planner and administrator.